Drawing difference : connections between gender and drawing / Marsha Meskimmon and Phil Sawdon.
2016
NC53 .M47 2016eb
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Details
Title
Drawing difference : connections between gender and drawing / Marsha Meskimmon and Phil Sawdon.
Author
ISBN
9780857729125 (electronic bk.)
0857729128 (electronic bk.)
9780857727077 (electronic bk.)
0857727079 (electronic bk.)
9781784530266
1784530263
9781784530273
1784530271
0857729128 (electronic bk.)
9780857727077 (electronic bk.)
0857727079 (electronic bk.)
9781784530266
1784530263
9781784530273
1784530271
Published
London : I.B. Tauris & Co. Ltd., 2016
Copyright
©2016
Language
English
Description
1 online resource (ix, 155 pages) : illustrations
Call Number
NC53 .M47 2016eb
System Control No.
(OCoLC)949885328
Summary
"Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women in the art world and the acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. This book argues that these developments did not occur in parallel by coincidence. It uses three works from the 1970s, by Annette Messager, Dorothea Rockburne and Carolee Schneeman, to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. These works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level--and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism." Publisher's description
Note
"Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women in the art world and the acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. This book argues that these developments did not occur in parallel by coincidence. It uses three works from the 1970s, by Annette Messager, Dorothea Rockburne and Carolee Schneeman, to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. These works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level--and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism." Publisher's description
Bibliography, etc. Note
Includes bibliographical references (pages 135-145) and index.
Formatted Contents Note
Approaching: drawing near
Chapter 1. Dialogue : From dia- 'across' + legein 'speak'
Chapter 2. Matter : From materia
'substance' mater: 'origin, source, mother'
Chapter 3. Open
Coinciding: drawing to a close without end.
Chapter 1. Dialogue : From dia- 'across' + legein 'speak'
Chapter 2. Matter : From materia
'substance' mater: 'origin, source, mother'
Chapter 3. Open
Coinciding: drawing to a close without end.
Source of Description
Print version record.
Added Author
Series
Drawing in.
Available in Other Form
Print version: Meskimmon, Marsha. Drawing difference. London : I.B. Tauris & Co. Ltd. 2015
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Record Appears in