Animals as disguised symbols in Renaissance art / by Simona Cohen.
2008
N7660 .C64 2008eb
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Linked e-resources
Details
Title
Animals as disguised symbols in Renaissance art / by Simona Cohen.
Author
ISBN
9789047424321 (electronic bk.)
9047424328 (electronic bk.)
1282400142
9781282400146
9786612400148
6612400145
9789004171015 (hardback ; alk. paper)
9004171010 (hardback ; alk. paper)
9047424328 (electronic bk.)
1282400142
9781282400146
9786612400148
6612400145
9789004171015 (hardback ; alk. paper)
9004171010 (hardback ; alk. paper)
Imprint
Leiden ; Boston : Brill, 2008.
Language
English
Language Note
English.
Description
1 online resource (xxxix, 316 pages) : illustrations (some color)
Other Standard Identifiers
10.1163/ej.9789004171015.i-319 doi
Call Number
N7660 .C64 2008eb
System Control No.
(OCoLC)567563010
Summary
Demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. This work illustrates the ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts.
Bibliography, etc. Note
Includes bibliographical references (pages 297-303) and index.
Formatted Contents Note
Medieval sources of Renaissance animal symbolism
Renaissance naturalists and animal symbolism : fact and fantasy
Emblematic literature and related sources
The birds and animals of Carpaccio's Miles Christianus
The enigma of Carpaccio's Venetian ladies
Animals in the paintings of Titian : a key to hidden meanings
Titian's London allegory and the three beasts of his Selva oscura
Animal heads and hybrid creatures : the case of the San Lorenzo Lavabo and its sources
Andrea del Sarto's Madonna of the harpies and the human-animal hybrid in the Renaissance
The ambivalent scorpio in Bronzino's London allegory.
Renaissance naturalists and animal symbolism : fact and fantasy
Emblematic literature and related sources
The birds and animals of Carpaccio's Miles Christianus
The enigma of Carpaccio's Venetian ladies
Animals in the paintings of Titian : a key to hidden meanings
Titian's London allegory and the three beasts of his Selva oscura
Animal heads and hybrid creatures : the case of the San Lorenzo Lavabo and its sources
Andrea del Sarto's Madonna of the harpies and the human-animal hybrid in the Renaissance
The ambivalent scorpio in Bronzino's London allegory.
Access Note
Restrictions unspecified
Reproduction
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
System Details Note
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. (http://purl.oclc.org/DLF/benchrepro0212)
Digital File Characteristics
data file
Source of Description
Print version record.
Series
Brill's studies in intellectual history ; v. 169.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 2.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 2.
Available in Other Form
Print version: Cohen, Simona. Animals as disguised symbols in Renaissance art. Leiden ; Boston : Brill, 2008
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