Sincerity's shadow : self-consciousness in British romantic and mid-twentieth-century American poetry / Deborah Forbes.
2004
PR585.S44 F67 2004eb
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Details
Title
Sincerity's shadow : self-consciousness in British romantic and mid-twentieth-century American poetry / Deborah Forbes.
Author
ISBN
9780674037106 (electronic bk.)
0674037103 (electronic bk.)
9780674011885 (alk. paper)
0674011880 (alk. paper)
0674037103 (electronic bk.)
9780674011885 (alk. paper)
0674011880 (alk. paper)
Imprint
Cambridge, Mass. : Harvard University Press, 2004.
Language
English
Description
1 online resource (viii, 244 pages)
Call Number
PR585.S44 F67 2004eb
System Control No.
(OCoLC)646826982
Summary
In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Deborah Forbes reveals unexpected convergences of poetic strategy.
In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry.
In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry.
Bibliography, etc. Note
Includes bibliographical references (pages 197-239) and index.
Formatted Contents Note
Intro
Contents
Introduction
1. The Personal Universal: Sincerity as Integrity in the Poetry of Wordsworth and Rich
2. Before and After: Sincerity as Form in the Poetry of Wordsworth, Lowell, Rich, and Plath
3. Sincerity and the Staged Confession: The Monologues of Browning, Eliot, Berryman, and Plath
4. The Drama of Breakdown and the Breakdown of Drama: The Charismatic Poetry of Byron and Sexton
5. Agnostic Sincerity: The Poet as Observer in the Work of Keats, Bishop, and Merrill
Conclusion
Notes
Index.
Contents
Introduction
1. The Personal Universal: Sincerity as Integrity in the Poetry of Wordsworth and Rich
2. Before and After: Sincerity as Form in the Poetry of Wordsworth, Lowell, Rich, and Plath
3. Sincerity and the Staged Confession: The Monologues of Browning, Eliot, Berryman, and Plath
4. The Drama of Breakdown and the Breakdown of Drama: The Charismatic Poetry of Byron and Sexton
5. Agnostic Sincerity: The Poet as Observer in the Work of Keats, Bishop, and Merrill
Conclusion
Notes
Index.
Source of Description
Print version record.
Available in Other Form
Print version: Forbes, Deborah. Sincerity's shadow. Cambridge, Mass. : Harvard University Press, 2004
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