Temples for tomorrow : looking back at the Harlem Renaissance / edited by Geneviève Fabre and Michel Feith.
2001
810.989607471 T287 2001
Available at 2nd (Main) Floor
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Title
Temples for tomorrow : looking back at the Harlem Renaissance / edited by Geneviève Fabre and Michel Feith.
ISBN
0253328861 (alk. paper)
0253214254 (pa : alk. paper)
0253214254 (pa : alk. paper)
Imprint
Bloomington : Indiana University Press, c2001.
Language
English
Description
x, 392 p. : ill., ports. ; 24 cm.
Call Number
810.989607471 T287 2001
System Control No.
(OCoLC)44811631
Bibliography, etc. Note
Includes bibliographical references (p. 351-378) and index.
Formatted Contents Note
"Temples for tomorrow": introductory essay / Geneviv̈e Fabre and Michel Feith
Racial doubt and racial shame in the Harlem Renaissance / Arnold Rampersad
The syncopated African: constructions of origins in the Harlem Renaissance (literature, music, visual arts) / Michel Feith
Oh Africa! The influence of African art during the Harlem Renaissance / Amy H. Kirschke
Florence B. Price's "Negro symphony" / Rae Linda Brown
Ethel Waters: the voice of an era / Randall Cherry
Oscar Micheaux and the Harlem Renaissance / Clyde Taylor
The tragedy and the joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man / Alessandro Portelli
"The spell of Africa is upon me": W.E.B. DuBois's notion of art as propaganda / Alessandra Lorini
Subject to disappearance: interracial identity in Nella Larsen's Quicksand / George Hutchinson
No free gifts: Toomer's "Fern" and the Harlem Renaissance / William Boelhower
Harlem as a memory place: reconstructing the Harlem Renaissance in space / Dorothea Lb̲bermann
"A basin in the mind": language in Their Eyes Were Watching God / Claudine Raynaud
Langston Hughes's blues / Monica Michlin
The tropics in New York: Claude McKay and the new Negro movement / Carl Pedersen
The West Indian presence in Alain Locke's The New Negro (1925) / Franȯise Charras
Three ways to translate the Harlem Renaissance / Brent Hayes Edwards
The Harlem Renaissance abroad: French critics and the new Negro literary movement (1924-1964) / Michel Fabre.
Racial doubt and racial shame in the Harlem Renaissance / Arnold Rampersad
The syncopated African: constructions of origins in the Harlem Renaissance (literature, music, visual arts) / Michel Feith
Oh Africa! The influence of African art during the Harlem Renaissance / Amy H. Kirschke
Florence B. Price's "Negro symphony" / Rae Linda Brown
Ethel Waters: the voice of an era / Randall Cherry
Oscar Micheaux and the Harlem Renaissance / Clyde Taylor
The tragedy and the joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man / Alessandro Portelli
"The spell of Africa is upon me": W.E.B. DuBois's notion of art as propaganda / Alessandra Lorini
Subject to disappearance: interracial identity in Nella Larsen's Quicksand / George Hutchinson
No free gifts: Toomer's "Fern" and the Harlem Renaissance / William Boelhower
Harlem as a memory place: reconstructing the Harlem Renaissance in space / Dorothea Lb̲bermann
"A basin in the mind": language in Their Eyes Were Watching God / Claudine Raynaud
Langston Hughes's blues / Monica Michlin
The tropics in New York: Claude McKay and the new Negro movement / Carl Pedersen
The West Indian presence in Alain Locke's The New Negro (1925) / Franȯise Charras
Three ways to translate the Harlem Renaissance / Brent Hayes Edwards
The Harlem Renaissance abroad: French critics and the new Negro literary movement (1924-1964) / Michel Fabre.
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