Edna Ferber's Hollywood : American fictions of gender, race, and history / J.E. Smyth ; foreword by Thomas Schatz.
2010
PS3511.E46 Z895 2010eb
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Details
Title
Edna Ferber's Hollywood : American fictions of gender, race, and history / J.E. Smyth ; foreword by Thomas Schatz.
Author
Edition
1st ed.
ISBN
9780292793392 (electronic bk.)
0292793391 (electronic bk.)
9780292725638
0292725639 (Trade Paper)
0292719841
9780292719842
0292793391 (electronic bk.)
9780292725638
0292725639 (Trade Paper)
0292719841
9780292719842
Imprint
Austin : University of Texas Press, 2010.
Language
English
Description
1 online resource (xiv, 337 pages) : illustrations.
Other Standard Identifiers
9780292725638
ebc3443441
ebc3443441
Call Number
PS3511.E46 Z895 2010eb
System Control No.
(OCoLC)560663742
Summary
Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century--the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era--among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J.E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider--a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.
Bibliography, etc. Note
Includes bibliographical references and index.
Formatted Contents Note
Edna Ferber's America and the fictions of history
The life of an unknown woman: So big, 1923-1953
Making believe: Show boat, race, and romance, 1925-1957
Marking the boundaries of classical Hollywood's rise and fall: Cimarron, 1928-1961
Writing for Hollywood: Come and get it and Saratoga trunk, 1933-1947
Jim Crow, Jett Rink, and James Dean: reconstructing Giant, 1952-1957
The new nationalism: Ice palace, 1954-1960.
The life of an unknown woman: So big, 1923-1953
Making believe: Show boat, race, and romance, 1925-1957
Marking the boundaries of classical Hollywood's rise and fall: Cimarron, 1928-1961
Writing for Hollywood: Come and get it and Saratoga trunk, 1933-1947
Jim Crow, Jett Rink, and James Dean: reconstructing Giant, 1952-1957
The new nationalism: Ice palace, 1954-1960.
Awards
PSP Prose Awards (won), 2009
Source of Description
Print version record.
Series
Texas film and media studies series.
Available in Other Form
Print version: Smyth, J.E., 1977- Edna Ferber's Hollywood. 1st ed. Austin : University of Texas Press, 2010
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