Frontmatter
Introduction / Aaron Baker
The Pious Auteur. How Scorsese Became Scorsese / Marc Raymond
Smuggling Iconoclasm / Giorgio Bertellini, Jacqueline Reich
Italian Films, New York City Television, and the Work of Martin Scorsese / Laura E Ruberto
The Imaginary Museum / Laura E Ruberto
Images of Religion, Ritual, and the Sacred in Martin Scorsese's Cinema / David Sterritt
Social Contexts and Conflicts. Alice Doesn't Live Here Anymore and Italianamerican / Aaron Baker
Mobsters and Bluebloods / Robert Casillo
Off-White Masculinity in Martin Scorsese's Gangster Films / Larissa M Ennis
Irish-American Identity in the Films of Martin Scorsese / Matt R Lohr
Issues of Race, Ethnicity, and Television Authorship in Martin Scorsese Presents the Blues and Boardwalk Empire / Jonathan J Cavallero
Cinema According to Marty / Marc Raymond
Form and the Filmmaking Process. Martin Scorsese and the Music Documentary / Michael Brendan Baker
Martin Scorsese Rocks / Giuliana Muscio
Music as Cultural Signifier of Italian/American Life in Who's That Knocking at My Door and Mean Streets / Anthony D Cavaluzzi
When Marty Met Bobby / R Colin Tait
Scorsese's Landscape of Mortality / Murray Pomerance
Borderlines / Brendan Kredell
Major Films. Mean Streets as Cinema of Independence / Stefan Sereda
Taxi Driver and Veteran Trauma / Michael D High
Filming the Fights / Leger Grindon
The Last Temptation of Christ / Daniel S Cutrara
The Cinematic Seduction of Not a "Good Fella" / Bambi Haggins
Hugo and the (Re-)Invention of Martin Scorsese / Guerric DeBona
The Irishman / Aaron Baker.