American art to 1900 : a documentary history / Sarah Burns and John Davis.
2009
709.73 B967a 2009
Available at 2nd (Main) Floor
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Title
American art to 1900 : a documentary history / Sarah Burns and John Davis.
Author
ISBN
9780520245266 (cloth : alk. paper)
0520245261 (cloth : alk. paper)
9780520257566 (pbk. : alk. paper)
0520257561 (pbk. : alk. paper)
0520245261 (cloth : alk. paper)
9780520257566 (pbk. : alk. paper)
0520257561 (pbk. : alk. paper)
Imprint
Berkeley : University of California Press, 2009.
Language
English
Description
1082 p. : ill. ; 26 cm.
Call Number
709.73 B967a 2009
System Control No.
(OCoLC)258767972
(OCoLC)258767972
(OCoLC)258767972
Bibliography, etc. Note
Includes bibliographical references and index.
Formatted Contents Note
1. The colonial era : Art in an age of Puritanism
Dissenting opinions: alternatives to Puritan practice
Advertisements
Early responses to portraits
Pioneering artists
Taste and theory
Poems on portraits
Training and the lure of Europe
2. Revolution and early republic : Defining art
Citizens: documents on portrait painting
Artistic identity, artistic choices
The establishment of artistic categories : Landscape ; Still life ; Genre
Early institutions : Philadelphia ; New York ; Boston
3. Antebellum America: values and institutions : Art in a democratic nation
Building institutions
Collectors and patrons
4. Antebellum America: landscape, life, and spectacle : The American landscape : Literary landscapes ; Romantic nature ; American sites: tourist literature ; Transcendental nature ; Nature, wild and tame
American life
Artists of color and the representation of race
Artists: advice and careers
5. Antebellum America: public art and popular art : The U.S. government as patron: decoration of the capitol
Art in public
Popular art, edification, and entertainment
6. Antebellum America: expanding horizons : International travel and exchange
Manifest destiny
Manufacturing history
Art on and of the frontier : The noble savage/vanishing race ; Western life
Frederic Church's sublime landscapes : Heart of the Andes
7. The 1860's : Taking stock
Landscape at a crossroads: nature as seen through telescope and microscope
Civil war
Race
Art after conflict
8. The gilded age: life and landscape at home : Nationalism and home subjects
Modes of realism
Race and representation
Landscapes: east and west : The old northeast ; The new west
9. The gilded age: art worlds and art markets : Art on the market
Studio life and art society
10. The gilded age: education, institutions, and exhibitions : Education : Boston ; Chicago ; New York ; Philadelphia ; San Francisco
Art institutions
The Philadelphia centennial and the colonial revival
11. Cosmopolitan dialogues : Internationalism
Art education : Germany ; France
The nude ; Arch-expatriates
New women in art
12. New media, new tastemakers, new masses : Critical voices
The little media : Watercolor ; Pastel ; Etching ; Wood engraving
Popular art and its critique
In the magazines: the new illustrators
Amateur or artist?: Debates on photography
13. Beauty, vision and modernity : The aesthetic movement
Impressionism: critical reception
Impressionism: American practices
Impressionism: eclectic practices
Art colonies
Beyond the threshold: visionaries and dreamers
14. Imperial America : The world's Columbian Exposition
Mural painting
Public sculpture
Retrospectives and prospects.
Dissenting opinions: alternatives to Puritan practice
Advertisements
Early responses to portraits
Pioneering artists
Taste and theory
Poems on portraits
Training and the lure of Europe
2. Revolution and early republic : Defining art
Citizens: documents on portrait painting
Artistic identity, artistic choices
The establishment of artistic categories : Landscape ; Still life ; Genre
Early institutions : Philadelphia ; New York ; Boston
3. Antebellum America: values and institutions : Art in a democratic nation
Building institutions
Collectors and patrons
4. Antebellum America: landscape, life, and spectacle : The American landscape : Literary landscapes ; Romantic nature ; American sites: tourist literature ; Transcendental nature ; Nature, wild and tame
American life
Artists of color and the representation of race
Artists: advice and careers
5. Antebellum America: public art and popular art : The U.S. government as patron: decoration of the capitol
Art in public
Popular art, edification, and entertainment
6. Antebellum America: expanding horizons : International travel and exchange
Manifest destiny
Manufacturing history
Art on and of the frontier : The noble savage/vanishing race ; Western life
Frederic Church's sublime landscapes : Heart of the Andes
7. The 1860's : Taking stock
Landscape at a crossroads: nature as seen through telescope and microscope
Civil war
Race
Art after conflict
8. The gilded age: life and landscape at home : Nationalism and home subjects
Modes of realism
Race and representation
Landscapes: east and west : The old northeast ; The new west
9. The gilded age: art worlds and art markets : Art on the market
Studio life and art society
10. The gilded age: education, institutions, and exhibitions : Education : Boston ; Chicago ; New York ; Philadelphia ; San Francisco
Art institutions
The Philadelphia centennial and the colonial revival
11. Cosmopolitan dialogues : Internationalism
Art education : Germany ; France
The nude ; Arch-expatriates
New women in art
12. New media, new tastemakers, new masses : Critical voices
The little media : Watercolor ; Pastel ; Etching ; Wood engraving
Popular art and its critique
In the magazines: the new illustrators
Amateur or artist?: Debates on photography
13. Beauty, vision and modernity : The aesthetic movement
Impressionism: critical reception
Impressionism: American practices
Impressionism: eclectic practices
Art colonies
Beyond the threshold: visionaries and dreamers
14. Imperial America : The world's Columbian Exposition
Mural painting
Public sculpture
Retrospectives and prospects.
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