Film moments : criticism, history, theory / edited by Tom Brown & James Walters.

Shadow play and dripping teat : The Night of the Hunter (1955) / Tom Gunning
Between melodrama and realism : Under the Skin of the City (2001) / Laura Mulvey
Internalising the musical : The Band Wagon (1953) / Andrew Klevan
The visitor's discarded clothes in Theorem (1968) / Stella Bruzzi
Style and sincerity in Quentin Tarantino's Kill Bill Vol. 2 (2004) / James Walters
The moves : Blood (1989) / Adrian Martin
The properties of images : Lust for Life (1956) / Steve Neale
Two views over water : action and absorption in Ingmar Bergman's Wild Strawberries (1957) / Edward Gallafent
Making an entrance : Bette Davis's first appearance in Jezebel (1938) / Martin Shingler
A narrative parenthesis in Life is Beautiful (1997) / Deborah Thomas
The end of summer : Conte d'été (1996) / Jacob Leigh
Enter Lisa : Rear Window (1954) / Douglas Pye
Opening up The Secret Garden (1993) / Susan Smith
A magnified meeting in Written on the Wind (1956) / Steven Peacock
"Everything is connected, and everything matters" : relationships in I [heart] Huckabees (2004) / John Gibbs
The Ending of 8 1/ 2 (1963) / Richard Dyer
Haptic vision and consumerism : a moment from Fritz Lang's Siegfried (1924) / Thomas Elsaesser
Visions of sound in City Lights (1931) / Charles Barr
"Entertainment and dystopia" : Maurice Chevalier performs Avec le sourire (1936) / Tom Brown
Music, crime and the gaze : La Bête humaine (1938) / Ginette Vincendeau
Thunder and lightning : Gone with the Wind (1939) and the Logic of Synchronisation / Rick Altman
Hearing, fearing : the sonic design of suspense in Cat People (1942) / Helen Hanson
"I've seen him take his knife
" : The Searchers (1956) / R.J. Ellis
Another story : myth and history in Bonnie and Clyde (1967) / Pam Cook
A sculptural moment : the epilogue to Les Deux Anglaises et le Continent (1971) / Mark Broughton
Star Wars (1977) : back and forth in time and space / Jonathan Bignell
Between freedom and confinement : music in The World (2004) / Claudia Gorbman
Performance, with strings attached : Team America's (2004) snub to the actor / Alex Clayton
Éloge de l'Amour (2001) : moments in time / Alison Butler
Contested endings : interpreting The Piano's (1993) final scenes / Barbara Klinger
Mourning, loss and trauma, and the ambiguities of proper and improper desire in Exotica (1994) / Elizabeth Cowie
Stepping out of Blockbuster mode : the lighting of the beacons in The Lord of the Rings : The Return of the King (2003) / Kristin Thompson
Dorothy's dream : mindscreen in The Wizard of Oz (1939) / Bruce F. Kawin
Looking on and looking the other way : Hotel Rwanda (2004) and the racialised ethics of spectatorship / Michele Aaron
Working through the body : textual-corporeal strategies in United 93 (2006) / Lisa Purse
"I wasn't expecting that!" : cognition and shock in Alien's (1979) chestburster scene / Jonathan Frome
The inflection of a dream in Scarlet Street (1945) / George M. Wilson
Judy's plan : a reading of the "Flashback" sequence in Vertigo (1958) / William Rothman.