Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst.
2021
PN1991.65 .T86 2021
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Details
Title
Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst.
ISBN
9781526155702 (electronic bk.)
1526155702 (electronic bk.)
9781526155726 (PDF ebook)
1526155729
1526155710
9781526155719
1526155702 (electronic bk.)
9781526155726 (PDF ebook)
1526155729
1526155710
9781526155719
Published
Manchester : Manchester University Press, 2021.
Copyright
©2021
Language
English
Description
1 online resource (xii, 258 pages) : illustrations
Call Number
PN1991.65 .T86 2021
System Control No.
(OCoLC)1259673784
Summary
"Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo- )avant-garde."-- Provided by publisher
Bibliography, etc. Note
Includes bibliographical references and index.
Formatted Contents Note
Part I: The poetics of the radiophonic neo-avant-garde1 Transnational, untranslatable: Apollinaire in Freddy de Vree's multilingual radiophonic composition A Pollen in the Air
Lars Bernaerts2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem Private Dreams and Public Nightmares
Tatiana Eichenberger3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio
Harry Heuser4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde
Jesper Olsson5 Textual and audiophonic collage in Dutch and Flemish radio plays
Siebe Bluijs6 'Ja, ja, so schön klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's Lost & Found: Das Paradies - Jarmila MildorfPart II: The acoustic neo-avant-garde between theatre, music and poetry7 Poetry on the Austrian radio: sound, voice and intermediality
Daniel Gilfillan8 Gerhard Rühm's radiophonic poetry
Roland Innerhofer9 A theatre of choric voices: Jandl and Mayröcker's radio play Spaltungen - Inge Arteel10 Language, sound and textuality: Caryl Churchill's Identical Twins as neo-avant-garde (radio) drama
Pim Verhulst11 Studio audience: Glenn Gould's contrapuntal radio
Adam J. FrankIndex
Lars Bernaerts2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem Private Dreams and Public Nightmares
Tatiana Eichenberger3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio
Harry Heuser4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde
Jesper Olsson5 Textual and audiophonic collage in Dutch and Flemish radio plays
Siebe Bluijs6 'Ja, ja, so schön klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's Lost & Found: Das Paradies - Jarmila MildorfPart II: The acoustic neo-avant-garde between theatre, music and poetry7 Poetry on the Austrian radio: sound, voice and intermediality
Daniel Gilfillan8 Gerhard Rühm's radiophonic poetry
Roland Innerhofer9 A theatre of choric voices: Jandl and Mayröcker's radio play Spaltungen - Inge Arteel10 Language, sound and textuality: Caryl Churchill's Identical Twins as neo-avant-garde (radio) drama
Pim Verhulst11 Studio audience: Glenn Gould's contrapuntal radio
Adam J. FrankIndex
Source of Description
Print version record.
Added Author
Available in Other Form
Print version:
Print version: Tuning in to the neo-avant-garde. Manchester : Manchester University Press, 2021
Print version: Tuning in to the neo-avant-garde. Manchester : Manchester University Press, 2021
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