Intro
Table of contents
Acknowledgements
List of figures
Introduction
1. Text
1.1 Temporal comparison
1.2 Spatial comparison
1.3 Processual comparison
1.4 Generic comparison
1.5 Editorial comparison
2. Beyond text
2.1 Material comparison
2.2 Conceptual comparison
2.3 Intermedial comparison
References
Part 1 TEXT
1.1 TEMPORAL COMPARISON
1.1.1 Medieval holograph manuscripts
Lost first drafts
Surviving second drafts
Scribal copies as drafts
References
1.1.2 Early modern holograph manuscripts
References

1.1.3 The eighteenth century*
Introduction
Against an idée reçue
The impulse behind genetic criticism
A new landscape of "working manuscripts"
Acknowledgements
References
1.1.4 The nineteenth century
References
1.1.5 The twentieth century
References
1.1.6 The twenty-first century
Introduction
The paper draft
The self-archived digital draft
The hybrid draft
The keystroke logging draft
Conclusion
References
1.2 SPATIAL COMPARISON
1.2.1 Nordic traditions
Introduction
Manuscripts within the scope of scholarly editing

New interests in writers' archives and literary drafts
Conclusion
References
Editions
Other sources
1.2.2 Russian traditions
"Textology"
Pushkinistics and Pushkin editions
Printed and digital facsimiles
References
1.2.3 Eastern European traditions
Introduction
Eastern European histories of the rough draft - in a nutshell
Genetic approach in Eastern European textual scholarship
External inspirations and their internalisation
Today and tomorrow
References
1.2.4 Anglophone traditions
The 1950s-1960s, and barbed-wire editions
Letters editions

Editions of literary works in MS, and of writers' journals
Genesis on the table
The Cornell Wordsworth and the Cornell Yeats
Conclusion
References
1.2.5 German traditions
Introduction
Poetological preconditions of the revaluation of literary drafts
The unfinished as the true image of the world
Organic growth of texts
The materialisation of the holograph by its institutionalisation
The Romantic march through the institutions
Literary archives in service of the author and nation building
(Almost) Everything is about Goethe
Conclusion
References

1.2.6 French traditions
Philological practices
The manuscripts' heritage
Genetic criticism
Editing manuscripts
Horizons and challenges
References
1.2.7 Italian traditions
Humanistic genetic criticism
From Humanism to the Renaissance
The novel and the new nineteenth-century poetry
Twentieth-century philology and criticism of variants
References10
1.2.8 Drafts on the Iberian Peninsula
Introduction
A future history
Hand matters
Blank spaces
Conclusion: In mentis
Acknowledgements
References
1.2.9 Postcolonial traditions
Introduction