Shakespeare survey 68 : Shakespeare, origins and originality / edited by Peter Holland.
2015
822.33 DS963 2015
Available at 2nd (Main) Floor
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Title
Shakespeare survey 68 : Shakespeare, origins and originality / edited by Peter Holland.
ISBN
9781107108844 (hardback)
1107108845 (hardback)
1107108845 (hardback)
Published
New York : Cambridge University Press, 2015.
Language
English
Description
x, 477 pages illustrations ; 26 cm.
Call Number
822.33 DS963 2015
System Control No.
(OCoLC)907204911
(OCoLC)907204911
(OCoLC)907204911
Summary
"Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results"-- Provided by publisher.
"Why is the Shakespeare of the anecdotes at such variance with the Shakespeare of the biographies? The biographical narrative gives us a Shakespeare of increasing worldly success: more property, more literary acclaim, a coat of arms, and a posthumous monument in stone as well as in print. The anecdotal Shakespeare, however, is quite notorious: he violates decorum, breaks laws and even commits sacrilege"-- Provided by publisher.
"Why is the Shakespeare of the anecdotes at such variance with the Shakespeare of the biographies? The biographical narrative gives us a Shakespeare of increasing worldly success: more property, more literary acclaim, a coat of arms, and a posthumous monument in stone as well as in print. The anecdotal Shakespeare, however, is quite notorious: he violates decorum, breaks laws and even commits sacrilege"-- Provided by publisher.
Bibliography, etc. Note
Includes bibliographical references and index.
Formatted Contents Note
Shakespeare's anecdotal character / Margreta de Grazia
What is a source? Or, how Shakespeare read His Marlowe / Laurie Maguire and Emma Smith
Imitation or collaboration? Marlowe and the early Shakespeare canon / Gary Taylor and John V. Nance
'O Jephthah, judge of Israel': from original to accreted meanings in Hamlet's allusion / Péter Dávidházi
The elephants' graveyard revisited: Shakespeare at work in Antony and Cleopatra, Romeo and Juliet and All's Well That Ends Well / Catherine Belsey
'Every like is not the same': translating Shakespeare in Spanish today / Alfredo Michel Modenessi
Reading originals by the light of translations / Tom Cheesman
'My name is Will': Shakespeare's sonnets and autobiography / Stanley Wells
Tracings and data in The Tempest: author, world and representation / Janet Clare
Shakespearean gesture: narrative and iconography / Farah Karim-Cooper
The origin of the late Renaissance dramatic convention of self-addressed speech / James Hirsh
Reading in their present: early readers and the origins of Shakespearian appropriation / Jean-Christophe Mayer
Shakespeare out of time (or, Hugo takes dictation from the beyond) / Ruth Morse
Betrayal, derail, or a thin veil: the myth of origin / Bi-qi Beatrice Lei
Global Shakespeares, affective histories, cultural memories / Jyotsna G. Singh and Abdulhamit Arvas
Spinach and tobacco: making Shakespearian unoriginals / Peter Holland
Ren Fest Shakespeare: the cosplay Bard / Andrew James Hartley
'Dead as earth': contemporary topicality and myths of origin in King Lear and The Shadow King Kate Flaherty
Shakespeare and the idea of national theatres Michael Dobson
John Rice and the boys of the Jacobean King's Men / David Kathman
Shakespeare's Irish lives: the politics of biography / Andrew Murphy
Shakespeare in blockaded Berlin: the 1948 'Elizabethan Festival' / Bettina Boecker
Connecting the Globe: actors, audience and entrainment / Robert Shaughnessy
'Freetown!': Shakespeare and social flourishing / Ewan Fernie
We'll always have Paris: the third household and the 'bed of death' in Romeo and Juliet / Nicholas Crawford
The 'serpent of old Nile': Cleopatra and the pragmatics of reported speech / Jelena Marelj
'This insubstantial pageant faded': the drama of semiotic anxiety in The Tempest / Lynn Forest-Hill
Shakespeare performances in England 2014 / Carol Chillington Rutter
Professional Shakespeare productions in the British Isles, January-December 2013 / James Shaw
The year's contribution to Shakespeare studies: Critical studies / Charlotte Scott ; Shakespeare in performance / Russell Jackson ; Editions and textual studies / Peter Kirwan.
What is a source? Or, how Shakespeare read His Marlowe / Laurie Maguire and Emma Smith
Imitation or collaboration? Marlowe and the early Shakespeare canon / Gary Taylor and John V. Nance
'O Jephthah, judge of Israel': from original to accreted meanings in Hamlet's allusion / Péter Dávidházi
The elephants' graveyard revisited: Shakespeare at work in Antony and Cleopatra, Romeo and Juliet and All's Well That Ends Well / Catherine Belsey
'Every like is not the same': translating Shakespeare in Spanish today / Alfredo Michel Modenessi
Reading originals by the light of translations / Tom Cheesman
'My name is Will': Shakespeare's sonnets and autobiography / Stanley Wells
Tracings and data in The Tempest: author, world and representation / Janet Clare
Shakespearean gesture: narrative and iconography / Farah Karim-Cooper
The origin of the late Renaissance dramatic convention of self-addressed speech / James Hirsh
Reading in their present: early readers and the origins of Shakespearian appropriation / Jean-Christophe Mayer
Shakespeare out of time (or, Hugo takes dictation from the beyond) / Ruth Morse
Betrayal, derail, or a thin veil: the myth of origin / Bi-qi Beatrice Lei
Global Shakespeares, affective histories, cultural memories / Jyotsna G. Singh and Abdulhamit Arvas
Spinach and tobacco: making Shakespearian unoriginals / Peter Holland
Ren Fest Shakespeare: the cosplay Bard / Andrew James Hartley
'Dead as earth': contemporary topicality and myths of origin in King Lear and The Shadow King Kate Flaherty
Shakespeare and the idea of national theatres Michael Dobson
John Rice and the boys of the Jacobean King's Men / David Kathman
Shakespeare's Irish lives: the politics of biography / Andrew Murphy
Shakespeare in blockaded Berlin: the 1948 'Elizabethan Festival' / Bettina Boecker
Connecting the Globe: actors, audience and entrainment / Robert Shaughnessy
'Freetown!': Shakespeare and social flourishing / Ewan Fernie
We'll always have Paris: the third household and the 'bed of death' in Romeo and Juliet / Nicholas Crawford
The 'serpent of old Nile': Cleopatra and the pragmatics of reported speech / Jelena Marelj
'This insubstantial pageant faded': the drama of semiotic anxiety in The Tempest / Lynn Forest-Hill
Shakespeare performances in England 2014 / Carol Chillington Rutter
Professional Shakespeare productions in the British Isles, January-December 2013 / James Shaw
The year's contribution to Shakespeare studies: Critical studies / Charlotte Scott ; Shakespeare in performance / Russell Jackson ; Editions and textual studies / Peter Kirwan.
Added Author
Series
Shakespeare survey (Cambridge University Press) ; 68.
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